Andrew Barrow Photography

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Posts tagged exhibition
Fabric of Photography Exhibition

I was delighted yesterday to have viewed and recorded the Fabric of Photography exhibition in Oxford. This multi-artist exhibition was organised and curated by the highly talented Megan Ringrose. It is a fascinating collection of work using alternative processes from 12 different practitioners. If you have any interest in photography or art in general I highly recommend a visit.

Head to the Old Fire Station near the bus station in central Oxford. The Fabric of Photography Exhibition is running until the 13th October 2021. Further details on the show with links to each of the artists can be seen at https://www.fabricofphotography.com/

The exhibition focuses on the work of contemporary photographic artists who are increasingly inspired by the pioneering historical processes and physicality of photography. These artists strip back photography to its absolute fundamental elements: material, light, and process. They explore the ‘thingness’ of photography.

The exhibition brings together artists who are interested in the fundamentals of photography especially with regards to historical methods and thinking about photography within a fine art context. They explore the materiality of the photograph through experimentation with analogue photographic techniques in particular. They are mindful of material redundancy and the need to reconnect to old processes to create new contemporary works.

Florence Exhibition Ends

A lovely note from the organisers of the Wine Doors Exhibition in Florence, that ended last weekend.


the other day I dismantled the photographic exhibition at the Pergola.

Since last November 9, the day of the inauguration, thousands of people have passed during the shows and guided visits to the theater, and many have stopped to look at the beautiful photographs of Andrew and Robbin.

The people at the bar counter told me that the comments were very positive, many people complimented them, many signed and left a sentence on the guest book. Here is what I found on the last page:


"Niches, flashes of light, colours of time, sensations ... Sometimes the detail eludes us, sometimes the essential, fortunately there are those who manage to capture emotions."

These are words addressed to the two photographers, whom I thank for their availability and skill.

This initiative has certainly made known the wine holes to many people, showing them in a particular light: for the association, a good result.

Greetings to everyone

Libertalia Exhibition, Blackpool

Mightily delighted that my Seascape Triptych was selected for inclusion in the Libertalia Exhibition about to open in the Hive Gallery, Blackpool.

The three images, taken in Blackpool during a brief respite from a nasty storm, form part of the Impressions of Place series that I am currently working on and experimenting with.

Libertalia has a private view on Friday 13th December 2019 (5-7pm) with the exhibition running from the 15th January until the 15th February 2020. (Closed for Christmas and New Year). Opening times are 11-5pm Thursday to Saturday.

Seascape Triptych © Andrew Barrow 2019

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Preparations for the Libertalia Exhbition, Hive Gallery, Blackpool


"The exhibition tells the hidden story of our pirate ancestors who guarded people’s liberties. They are said to have founded ‘Libertalia’ 300 years ago with pirate gold, to create a place where people could be equal and masters of their own destiny. Some believe Ingela Gathenhielm was its mastermind. Known as the pirate queen, she led a global pirate empire from her Pirate House in Gothenburg.

The exhibition transports her pirate house to Blackpool, filling it with images, sounds and symbols that resonate with Ingela and what she stood for. It invites the Gathenhielm pirates back to help us imagine what Blackpool would look if it were ‘Libertalia’ today, asking audiences to contribute to a ‘Libertalia’ manifesto for Blackpool and raise the ‘Libertalia’ flag.

Conceived by UK & Swedish artist-pirate’s Alexis K Johnson and Isabel Lagos, the exhibition is co-curated by Arrested Re-Development’s Dawn Mander, Libby Nightingale and Kate Yates. Featuring the work of artists from Gothenburg, Blackpool, Liverpool and South America including John Mark Allen, Jorge Alcaide, Andrew Barrow, Dylan Cross, Jacquie Cross, Norma Foulds, Piet Geboers, Mark Hetherington, Simon Job, George Johnson, Mathew Jones, Beata Kuczynska, Teto Lagos, Lisa McQueenie, Olivia Du Monceau, Jess Monger, Gareth Monger, Andrea Norrington, Richard Oughton, Juan Carlos Poblete, Anna Radovich, Monica Ravliuc, Jackie Sarafopolis, Peter Jamieson Sinclair, Ruta Staseviciute, Douglas Stewart, Kieran Thresh, Tracey Vallance, Danielle Waine and Elizabeth Ward. With performances by Sean Brown, Laura Colville, Baz Garrod, Linda Hampton, Tom Wright, and local residents.

Follow ‘Libertalia’ on Facebook and Twitter @TheLibertalia"


Wine Doors of Florence Exhibition

No time during the busy opening event to take any photos - thanks though to all that came, and to those that ordered prints. For those that couldnt attend (the exhibition runs until January 2020) below a selection of the hall before the arrival of everyone. The exhibition is at the Caffè Guido Guidi at the Teatro della Pergola, Florence.

(Un)Framing Our Identities Exhibition

I believe it is still up and viewable - but not for much longer! It is worth visiting Blackpool simply for this exhibition and the excellent cafe underneath. The RPS (Un)framing Our Identities photographic exhibition was showing on two floors of the ‘industrial’ style gallery space when I visited. Below a few images…

There are so many stories here, from the homeless displayed along the edge of the entrance stairs, to the humour of the Hidden Mother project through to the ‘hidden’ Arab servants and on to the street photos of punks from one of Blackpool’s many festivals and the nature of fluid identities. A personal tour to uncover the stories from the photographs and the details of the female photographers behind them is recommended.

The exhibition showcases over 60 female photographers detailing “themes of female representation within music, connecting identity through nature, the transition from girlhood to adulthood, loss and so much more”.

The Paper Light Process

The Paper Light Process – Exhibition by Megan Ringrose A pop-up exhibition 25th-27th July 2019

The upper gallery was almost overwhelmed by the four large prints. Viewed up close the graduations of tone, a complexity, emphasised the long production times these ‘alternative processed’ images took to create. The lower level showed a grid of 12 smaller prints, benefiting from the great light streaming into the Little Gallery in London’s St. James. The simplicity of keeping the images strictly within the Red, Green and Blue spectrum emphasized the subtle graduations of colour, of the textural qualities of the paper where roughened by folding and creasing.

The larger pieces clearly show the textural undulations from the application of the photosensitive chemicals; similar to a painter’s brush marks, “painting with light” as Tony Hancock once mimicked a photographer, which of course is exactly the process here.

The shapes and forms have a 1930’s Russian abstraction ambience to them; but these are photograms rather than paintings. As Megan writes “This collection of experimental work comes from research and enquiry into the very essence of Photography. Fascinated by the pure elements of photography, #paperlightprocess is inspired by Vilem Flusser’s thoughts on working without a camera/apparatus to find a new freedom within photography.” Despite this wish to be distant from digital photography the restriction to the red, green and blue, the additive primary colours, links to the RGB screens in use every day.

The prints are mounted on aluminium then framed. As the larger prints impressed, especially up-close, the grid display showed, at this scale, the work is perhaps best viewed as a set. And a fantastic set to boot.

Images from Deepwater

With many thanks to Jo for supplying these images, (and also for getting this show organised to begin with), from the Falmouth Uni Deepwater 2019 Graduate show… not just my image on show but an array from my highly talented peers too…

Exhibition at the Wine Place, London

Very excited to be showing more of the Wine Doors of Florence project in two locations in London - the Wine Place wine bars in Covent Garden and Kensington. This is a collaborative display with Robbin Gheesling, a researcher into the provenance and history of these little historical remnants.

Set up for this long running display was yesterday… the white painted brick walls are the Covent Garden branch.

Wine Doors of Florence Exhibition Images

Many thanks to those you visited my little pop-up exhibition in St. Peter’s Church, Wallingford.

For those who didn’t make it to the exhibition the images that were displayed are shown here. Plus those that were available as a free postcard. Prints are available to order from PicFair.

Landings 2018 Exhibition

Have just returned from installing the two strips of images in the Red Box Gallery, Brightwell. The box was bathed in some rather glorious late evening light, that created some playful and intriguing images on the acetate overlays over the cyanotypes. 

 

Red Box Gallery

Happy to announce that my first physical exhibition has secured a week long slot in the Brightwell Red Box Gallery

As galleries go it is rather quirky, alternative and novel. Its a converted red phone box in the middle of a sleepy village in South Oxfordshire. But one can only wonder at the number of visitors...

Still, for the Landings 2018 week (17th - 24th August 2018) I have a 'space' to fill. My other idea, of sending images off to friends scattered across the world, I think I will abandon, Although I still think it a good idea, time and cost constraints mean I will be pressed to bring the plan to fruition. The Red Box Gallery is a good alternative. 

The intention is to display a small selection of cyanotype prints with a graphical acetate overlay. These images are displayed on the Landings 2018 gallery page. 

Images of the Red Box Gallery below taken form the Brightwell-cum-Sotwell community website.